IN-DEPTH ANALYSIS
The title of this piece is unknown. It is by… Uta Barth. It was created in… the 2000s. It is an example of… abstract interior photography. The composition shows… the very top of a mustard yellow sofa. There is a light being cast against the wall from what I assume to be a window on the right of the room which we cannot see. The light looks natural and I assume it is a sunny day outside. The focal point (most important/eye-catching part) of the image is… The wall behind the sofa, although it is largely made up of negative space. It is placed… in the right hand diagonal dividing the image from bottom left to top right The techniques used here are… natural lighting, angle and height, negative space, a warm white balance, deep depth of field (possibly around f16. The colours in the image are… warm and mostly yellow with a range of tone which gets darker towards the top of the picture. The patterns I can see in the image are… created by the cushions on the sofa along the bottom of the photograph and also the grid created by the natural light coming in through the window. The lines in the image... draw your eye towards the top right hand corner and are caused by the sofa, the light and the lampshade. The texture in the picture looks... soft on the sofa, solid and smooth on the wall and ruffled in the lampshade. The photographer has used… a traditional DSLR camera has been used I believe, as it was taken in the 2000s to create… an abstract image of the interior of her house. The image makes me feel… relaxed and spacious on a warm summers day. The image feels warm and peaceful and has a slightly dream-like quality
The title of this piece is unknown. It is by… Uta Barth. It was created in… the 2000s. It is an example of… abstract interior photography. The composition shows… the very top of a mustard yellow sofa. There is a light being cast against the wall from what I assume to be a window on the right of the room which we cannot see. The light looks natural and I assume it is a sunny day outside. The focal point (most important/eye-catching part) of the image is… The wall behind the sofa, although it is largely made up of negative space. It is placed… in the right hand diagonal dividing the image from bottom left to top right The techniques used here are… natural lighting, angle and height, negative space, a warm white balance, deep depth of field (possibly around f16. The colours in the image are… warm and mostly yellow with a range of tone which gets darker towards the top of the picture. The patterns I can see in the image are… created by the cushions on the sofa along the bottom of the photograph and also the grid created by the natural light coming in through the window. The lines in the image... draw your eye towards the top right hand corner and are caused by the sofa, the light and the lampshade. The texture in the picture looks... soft on the sofa, solid and smooth on the wall and ruffled in the lampshade. The photographer has used… a traditional DSLR camera has been used I believe, as it was taken in the 2000s to create… an abstract image of the interior of her house. The image makes me feel… relaxed and spacious on a warm summers day. The image feels warm and peaceful and has a slightly dream-like quality